About the studio
Nadine runs a studio that upholds and advocates for artisanal ethics including artist-led design, high quality hand-craftsmanship and thoughtful materials. Combining an appreciation of the history of the medium with a desire to expand on what has been done before.
Through years of experimentation with kiln-forming glass, Nadine has developed a manufacturing process utilising a combination of innovative and traditional stained glass techniques. With an aim to magnify the allure of the medium while eradicating the reliance on toxic materials such as lead (Pb), as is necessary in traditional stained glass windows.
Nadine’s story so far -
After spending 3 years studying Fine Art Photography at RMIT and PIC, I became disillusioned with the orthodox methods of image making and work style of a fine art photographer.
A few years past and many less artistic pursuits were explored when, with a visit to the solar-punk stained glass mural Cosmovitrial in Toluca, Mexico (pictured), I finally discovered the creative industry which aligned with my ideals. While realising the potential that exists within the craft that I had not yet seen in Australia.
Solidifying my obsession with research into the stained glass window's development through the 20th century, with the manifestations of the Arts and Crafts anti-industrialisation ideals embedded in it's design and construction.
Being first self-taught, my unfettered and enthusiastic approach to the medium garnered both a healthy commission workload and work with a nationally-renowned stained glass studio. On the job training in both conservation and large scale windows was invaluable during this period.
Being an eternal optimist, my work is world affirming while making a case for the necessary conscious development of both our inner and outer worlds.